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Primary Sources: Le Morte D’Arthur, Book XII Chapters 11 to 14 — 1 Comment

  1. In honor of your Tristram frustration, follows now some of Mark Twain’s meditation on Malory in Connecticut Yankee:

    “The truth is, Alisande, these archaics are a little too simple; the vocabulary is too limited, and so, by consequence, descriptions suffer in the matter of variety; they run too much to level Saharas of fact, and not enough to picturesque detail; this throws about them a certain air of the monotonous; in fact the fights are all alike: a couple of people come together with great random – random is a good word, and so is exegesis, for that matter, and so is holocaust, and defalcation, and usufruct and a hundred others, but land! a body ought to discriminate—they come together with great random, and a spear is brast, and one party brake his shield and the other one goes down, horse and man, over his horse-tail and brake his neck, and then the next candidate comes randoming in, and brast his spear, and the other man brast his shield, and down he goes, horse and man, over his horse-tail, and brake his neck, and then there’s another elected, and another and another and still another, till the material is all used up; and when you come to figure up results, you can’t tell one fight from another, nor who whipped; and as a picture , of living, raging, roaring battle, sho! why, it’s pale and noiseless—just ghosts scuffling in a fog. Dear me, what would this barren vocabulary get out of the mightiest spectacle?—the burning of Rome in Nero’s time, for instance? Why, it would merely say, ‘Town burned down; no insurance; boy brast a window, fireman brake his neck!’ Why, that ain’t a picture!”

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